Showing posts with label crimes against clothing. Show all posts
Showing posts with label crimes against clothing. Show all posts

21 January 2011

Ke$ha: Take It Off

So the pun in the name of this blog hasn’t been at all appropriate lately—a weekly schedule just isn’t happening, apparently.

However, the lights haven’t been completely out here at Lyrics, Weakly headquarters. There have been a couple songs waiting on the back burner, waiting merely for the moment that a bit of spare time would appear, would appear to save them from the limbo that they were stuck in.

Or something like that.

Well, spare time hasn’t arrived, but nearly six months ago one of my daughters requested that i write a Lyrics, Weakly post on the lyrics to the Ke$ha song “Take It Off”. Yes, a child of mine recognized the utter horror that is that song, for which i would simply like to say, along with the nation, thank heaven for little girls.

Incidentally, you really should click on the link up there that takes you to the video of the song—it’s really a nicely shot cautionary tale about the dangers of providing a bunch of poorly dressed dancers unlimited access to paint pigments.

Oh. And meth. Lots of meth.

Anyway. This song has blessedly receded from the airwaves, but a few months ago you couldn’t avoid it—i think i heard it on the local classical station at one point. But, just for old times sake, let’s deal with it once more.

There’s a place downtown
Where the freaks all come around
It’s a hole in the wall
It’s a dirty free for all


Now, i’ll let it be known that i’m all about giving credit where credit is due—so let’s give Ms Ke$ha credit for coming up with an interesting opening. The first time i heard this song, i found the use of a classic children’s dirty song coupled with AutoTune shifted into overdrive intriguing, and i wanted to hear what followed.

(What followed, of course, was that i shouldn’t have bothered. But so it goes.)

Fun fact! According to Wikipedia (so you know it must be true), the children’s song referenced here has several titles, including “The Streets of Cairo”, “The Poor Little Country Maid, “The Girls in France”, and “The Southern Part of France”. Ms Ke$ha, hats off to you for presenting us with such an endearing allusion to our shared childhoods.

Pity you didn’t stop there.

When the dark of the night comes around
That’s the time that the animal comes alive
Looking for something wild


Wow. I have to say, that’s a reference i didn’t see coming.

(See also “Wolf, Hungry Like the”.)

And now we lookin’ like pimps in my gold Trans Am

Ms Ke$ha, to be quite honest, it doesn’t take a gold Trans Am to make you look like a prostitute.

Got a water bottle full of whiskey in my handbag

You know, i think it might be time for an intervention.

Got my drunk text on I’ll regret it in the morn

No. You won’t regret drunk texting in the morning, ’cause you know you’ll just pretend it was all autocorrect’s fault.

Also, i would like to point out that this is actually Ms Ke$ha’s second time appearing on Lyrics, Weakly. The first was for “Tik Tok”, and i would like to remind both of my listeners that i noted at the time (about nine months ago) that what she was really going to regret was her morning regimen of brushing her teeth with Jack Daniels rather than a fluoride toothpaste.

And why do i mention this? Because mere days ago, xkcd made the same point.

This is significant, because Randall Munroe is a recognized Internet Genius—but if i posted an idea eight or nine months before he came up with it, then that means that i…

I’ll leave the obvious conclusion as an exercise for the reader.

But enough about me—i must selflessly turn my attention back to Ms Ke$ha, who is busy telling us

But tonight
I don’t give a
I don’t give a
I don’t give a


Oh, wild and crazy performer that she is, she teases us with the hint that she’s going to say a naughty word, and then doesn’t—not once, not even twice, but three whole times. Oh, ho, ho, Ms. Ke$ha, i bow in the general direction of your most original and never-before-thought-of use of the language.

(Though upon typing that, i realize that i shouldn’t have been so sarcastic—at the very least, “oh, ho, ho” appears to be a completely accurate way to describe her.)

There’s a place downtown
Where the freaks all come around
It’s a hole in the wall
It’s a dirty free for all


Yes, we’re aware—you told us so at the beginning of the song. I guess we should be happy for the reminder, what with alcohol’s effect on memory and all.

And they turn me on when they take it off when they take it off
Everybody take it off


See, i’m puzzled.

I have to admit that i don’t frequent strip clubs—it’s not my personal kink. But from what i am led to understand, at the sort of club where strippers take their clothes off, everyone else is definitely not supposed to take theirs off—that would distract from the performer.

But i suppose that if you’re willing to pretend to be unconventional to the point of spelling your name with a dollar sign, such norms make no difference to you.

There’s a place I know if you're looking for a show
Where they go hardcore and there’s glitter on the floor


Ah! Hardcore, hmmm? So now i get it—it’s one of those places. Sorry to have misunderstood.

But glitter on the floor? Fine, i’ll take your word for it—you look at the floor, i’ll stay over here.

And they turn me on when they take it off when they take it off
Everybody take it off


I still don’t understand why everybody has to disrobe, though.

Lose your mind lose it now

You’re a bit demanding, aren’t you, Ms Ke$ha?

Lose your clothes in the crowd

So what’s so unusual about crowds of naked people?

Oh, sorry, i forgot—you’re edgy, and therefore whatever you’re demanding we do must be wild and crazy and unprecedented. My mistake. Carry on.

We’re delirious tear it down ’til the sun comes back around

So now you want to tear the place down?

Weird. And what sort of a plan do you have to put that into effect, Ms Ke$ha?

N-now we’re getting so smashed knocking over trash cans
Eurbody breakin’ bottles it's a filthy hot mess


So let’s see if i understand.

You’re going to get drunk enough that you can’t pronounce the word “everybody”, and then knock over some trash cans.

Oooh, crazy. I’m sure that will just completely subvert the existing systems of power throughout the world. I don’t know if i can handle the sheer and utter enormity of this level of social nonconformity.

Seriously, Ms Ke$ha, just stop it. Please.

And I’m gonna get faded and I’m not the designated driver so
I don’t give a
I don’t give a
I don’t give a


You know, if i was the designated driver for Ms Ke$ha i’d worry that i’d end up with glitter and puke on the floor of my car. But maybe that’s just me.

There’s a place downtown where the freaks all come around
It’s a hole in the wall
It’s a dirty free for all


More repetition.

Speaking of repetition, as i mentioned earlier, this is the second time Ms Ke$ha has appeared on this blog—though, since i covered Katy Perry’s “California Gurls” a while back, some would argue this makes three times.

And they turn me on when they take it off when they take it off
Everybody take it off


I have decided that there is nothing more unsexy than Ms Ke$ha singing these lines.

Okay, so maybe there is. But not by all that much.

There’s a place I know if you’re looking for a show
Where they go hardcore and there’s glitter on the floor


I’m having this weird feeling of déjà vu, almost like i’ve heard these lines before, and recently.

Oh, wait—that’s because i did!

C’mon, Ms Ke$ha—if you’ve run out of ideas, just stop. it’s not like you’re going to make more money off of a nearly-four-minute song than a barely-three-minute one. And besides, then we wouldn’t have to listen to you push the AutoTune into ludicrous speed for quite as long, so we’d all win.

And they turn me on when they take it off when they take it off
Everybody take it off


You know what? I don’t care any more.

Oh, oh, oh!

Oh, wow! Something big and different must be coming up! Let’s see what it is.

EVERYBODY TAKE IT OFF!

Never mind.

Oh, Oh, Oh!
EVERYBODY TAKE IT OFF!


And again. In case we’d blacked out the first time.

Right now! TAKE IT OFF!
Right now! TAKE IT OFF!
Right now! TAKE IT OFF!
Oooh
Right now! TAKE IT OFF!
Right now! TAKE IT OFF!
EVERYBODY TAKE IT OFF!


You seem a bit urgent about this, Ms Ke$ha. I wonder why that might be.

There’s a place downtown where the freaks all come around
It’s a hole in the wall
It’s a dirty free for all
And they turn me on when they take it off when they take it off
Everybody take it off


Yep. More pointless repetition.

There’s a place downtown where the freaks all come around
It’s a hole in the wall
It’s a dirty free for all
And they turn me on when they take it off when they take it off
Everybody take it off


I just counted. There were twenty-six—yes, twenty-six!—repetitions of the phrase “take it off”. This is a three minute and forty-three second song, which means that she said that more than once every ten seconds. Come on, Ms Ke$ha—just knock it off.

08 October 2010

Corey Hart: Sunglasses at Night

So this week Lyrics, Weakly goes back to 1984 and Corey Hart’s top-ten hit “Sunglasses at Night”.

(If you can, you should watch that video wearing headphones. The left-right panning of the opening synthesizer riff is perhaps the most amazingly eightiestastic thing you can legally hear in the United States.)

According to the Wikipedia page for the song (check out the album cover showing the singer in the very act of popping his collar!), by the way, Mr. Hart originally wrote the song about a totalitarian society that forced everyone to wear sunglasses, but his record company pushed him to change the song into something more “romantic”. Given some of the content of the song as it was released, i think that the original version would have scared me into hiding in my closet.

Confused? Don’t be—just follow along:

I wear my sunglasses at night

Let’s all be candid here—all y’all reading this who were teenagers in the 80s, how many of you at least occasionally wore sunglasses at night? Don’t be shy—raise your hands. Mm-hmm, that’s what i though—all of you. Me, too, i must admit. Even wore ’em indoors.

I think it was supposed to make us look like glamorous celebrity cocaine users, back when we thought cocaine was glamorous. Instead, wearing sunglasses at night and indoors made us walk into walls. Such, though, is simply the price of fashion, no?

So I can, so I can
Watch you weave
Then breathe your story lines


She’s into weaving? And her stuff is so bright you need sunglasses to even look at it? I’m thinking she has a future on Etsy.

And I wear my sunglasses at night
So I can, so I can
Keep track of the visions in my eyes


No, Mr. Hart, wearing sunglasses does not allow you to see visions in your eyes. To see visions in your eyes, or for that matter to see your eyes at all, you need a mirror. Glad to help.

Well, or maybe you just need sunglasses with rear-view mirrors. You can buy those these days.

While she’s deceiving me
It cuts my security


So Mr. Hart has realized that he’s being deceived, and so he feels insecure. I’ve got to give Mr. Hart credit here—he’s good at stating the obvious.

Has she got control of me?

Well, it depends on how you react to the deception, i suppose.

I turn to her and say

At this point, you’d probably expect Mr. Hart to say something like “Get out, and never darken my songs’ lyrical content again!” But as it turns out, Mr. Hart has to take things in a different direction, because it turns out that…

Don’t switch the blade
On the guy in shades, oh no


…she’s got a knife.

Well, that does change things a bit, doesn’t it? Things have suddenly gotten a bit more intense for good Mr. Hart. I wonder what he’s going to say to try to calm things down—it’s time to think fast!

Don’t masquerade
With the guy in shades, oh no


But maybe not that fast.

I mean, i don’t a costumed dance really needs to be at the top of your worry list right now. Well, unless she’s holding you at knifepoint to try to force you to go to one, but if that’s the case you might want to try to be a little more indirect about this.

I can’t believe it
’Cause you got it made
With the guy in shades, oh no


Well, i guess reminding her of how wonderful it is to be involved in a relationship with you, a man who wears sunglasses, could be one way of trying to get things back to normal.

And I wear my sunglasses at night
So I can, so I can
Forget my name while you collect your claim


But this sounds creepy enough that you might not want to put things quite that way.

And I wear my sunglasses at night
So I can, so I can
See the light that’s right before my eyes


Okay, Mr. Hart, you’ve completely lost me now.

You see—and it appears that you’re unaware of this, so i’ll try to take this slowly—the primary purpose of sunglasses is to block light from entering your eyes. Therefore, if you’re wearing a decent pair of sunglasses, you will find yourself lessable to see any lights that might happen to be in front of your eyes.

I’m thinking you might be wanting a different type of eyewear.

And then we get repetition of several of the preceding lines, reminding us (in case we happened to forget, what with all the excitement) that Mr. Hart has been deceived by a woman who may have control over him, that he’s being held at knifepoint by her, and that he’d rather not go to a costume ball with her. Apparently all that is important to the narrative of the song.

Don’t be afraid
Of the guy in shades, oh no
It kinda scared you
’Cause you got it made
With the guy in shades, oh no


Um, dude, she’s armed. I don’t think she’s scared of you, really i don’t.

Though i have to give you credit for being willing to try all sorts of different ways to talk her down.

Oh, I say I wear my sunglasses at night

Yes, we know—you already told us.

I wear my sunglasses at night

As did we all back in the day. Remember? There was an entire mini-discussion about it right at the beginning of the song.

I wear my sunglasses at night

Right. It’s a given by now.

I say it to you now
I wear my sunglasses at night


Yes, that’s actually true that you’re saying it to us now, i suppose.

I wear my sunglasses at night

But there’s no reason to say it to us now again.

I wear my sunglasses at night

Mr. Hart, you can stop it now. Really. I mean it.

I cry to you
I wear my sunglasses at night


Well, no need to cry. Actually, if anyone should cry it should be us, for having to listen to you tell us about the preferred time for you to wear darkened eyewear.

I wear my sunglasses at night

You know, it just occurred to me that Mr. Hart isn’t telling us about anything else he’s wearing. I wonder if there’s a reason for that? (Warning: That link may or may not be safe for work, depending on precisely what your job description is.)

And after that you may need a unicorn chaser, which i’m always glad to provide.

Anyway, good night. I think i’m going to go put on my sunglasses and get some sleep.