Showing posts with label crimes against names. Show all posts
Showing posts with label crimes against names. Show all posts

10 September 2010

Boys Don’t Cry: I Wanna Be a Cowboy

And so this week, Lyrics, Weakly travels back in time to 1986.

You know, 80s music is big on the radio right now—there are lots of radio stations playing all 80s music, all the time. And if you listen to these stations, you could be forgiven for thinking that that was a really great decade for rock music—i mean, you’ve got everything from the new wave of the Cure and the Smiths and the Police to the synth-pop of Soft Cell and Tears for Fears to classic rap and hip-hop from Run-DMC and A Tribe Called Quest to really excellent straight-ahead pop from Michael Jackson and Duran Duran and Madonna when she made good music. (I mean, even the hair metal of bands like Poison and Twisted Sister is fun in a campy sort of way.)

But then you hear a song like Boys Don’t Cry’s “I Wanna Be a Cowboy” and you remember that this was a top-twenty hit back in the day, and you figure out the secret to why 80s radio stations sound so good—it’s because they can pick and choose from an entire decade to flesh out their playlists, and they can just pretend that horrors like that song never existed.

So how much of a horror is it? Well, first i’d suggest clicking through the link above and watching the video if you haven’t already, and basking in the amazement of the flat, tuneless delivery on the part of “singer” Nick Richards (co-writer of the song with bandmate Brian Chatton) along with the complete disregard for the intricacies of meter and rhyme. (And that’s not to mention the whole “What the [insert expletive of choice here]?”-ness of the video itself.)

And then, after that, we can get to the actual words of the song.

Riding on the range
I’ve got my hat…on
I’ve got my boots…dusty


So Mr. Richards is telling us about his day, going through all the normal stuff—you know, where he is, what he’s wearing.

I like the pauses, by the way—evidence that he’s checking to make sure that he’s telling the truth. I imagine that in concert he might singchant I’ve got my hat…off/​I’ve got my boots…actually, i’m wearing sneakers up here.

I’ve got my saddle
On my horse


As opposed, of course, to having his saddle on his cat.

He’s called…T‑t‑t‑t‑t‑t‑trigger
Of course


Yes, yes, of course. But i’m thinking that “Hi-yo, T‑t‑t‑t‑t‑t‑trigger, away!” might be kind of hard to consistently say, and that could be a problem. I mean, what if you’re in a hurry and you accidentally say “Hi-yo T‑t‑trigger, away!” and somebody else’s horse takes off, leaving you sitting in place and about to be caught by the posse? Yeah, sure, it sounded like a cool name when you came up with it, but it’s gonna get you stuck in jail one of these days, mark my words.

I wanna be a cowboy
and you can be my cowgirl
I wanna be a cowboy
and you can be my cowgirl
I wanna be a cowboy


Wait a minute—you only want to be a cowboy? So you bought the outfit (and horse), figuring that then you could make a better case for it? Well, most people would have just sent out a resumé, but whatever works for you, i guess.

And i have to admit that i’m really struggling here with the whole “cowgirl” motif—i hear that word, and all i can think of is the movie with perhaps the worst trailer in the history of cinematography, Mad Cowgirl. (If you wish, you can view the trailer here, but i’ll warn you that, aside from being vaguely unsafe for work, it’s…disturbing, and not in a good way. The rest of you can read the synopsis at its Wikipedia page.)

Alternately, maybe Mr. Richards is suggesting that the woman he’s singing to would be happier if affiliated with the Monster Raving Loony Party? Yeah, that makes more sense—this whole song is actually a political manifesto.

And now we get an interlude in which the speaker is female. I’ll mark these lines by underlinging them, so that you can tell them apart from the lines Mr. Richards singshaltingly speaks. (Background vocals are in parentheses, as you’d expect.)

Riding on the chuck wagon

A woman’s place being in the kitchen, even out on the range, eh?

Following my man
His name is Ted
Can you believe that?


Why yes, yes i can. Ted is most certainly a name, a fairly common name in fact, and it is also a man’s name. Therefore, yes, i can believe that your man’s name is Ted.

Also, this is even more believable when i consider that Mr. Richards’s first name is Nick, and by identifying your man’s name as Ted and not Nick, you are showing the sort of wise judgment i would expect of any woman.

(Ted, on Ted, fighting off danger)
Camping on the prairie
Plays havoc with my hair


Semi-random pop culture note: There are actually multiple places on the interwebs where you can find the traces of people seriously discussing the hairstyles from the series Little House on the Prairie. I don’t know what this says about our world, but it can’t be good.

Makes me feel quite dirty
Though we all do sometimes


You know, i realize that this is supposed to be a double entendre, especially since it’s delivered in a breathy and supposedly-seductive voice, but i can’t help but giggle a little inside every time i hear it—and while i’ll admit to liking a good laugh now and again, I’m really not the sort of person who gets all hot and bothered by it. (Warning: That last link is unsafe for work, and could raise some serious eyebrows if your significant other sees you there.)

(Ted gets so dirty)

Well, the unnamed woman already told us they all feel quite dirty sometimes, so this isn’t much of a surprise. But thanks for working to keep us informed, background singing Greek chorus!

I wanna be a cowboy
and you can be my cowgirl
I wanna be a cowboy
and you can be my cowgirl
I wanna be a cowboy


We already knew this, Mr. Richards. Repeating it over and over makes you just seem desperate for the position—and that’s not likely to be helpful.

Looking like a hero
Six-gun at my side
Chewing my tobacco
(Whip-wee-whip-wee-whip-wee-whip)


Really? Imagine this in your mind’s eye, folks. I don’t know what you get, but i get something like this, but holding a pistol. Not my particular image of a hero, but your mileage may vary, i suppose.

Out on the horizon
I see a puff of smoke


Apparently, while Mr. Richards is into the use of smokeless tobacco products, others around him are smoking cigarettes.

Indians on the warpath
(White man speaking with forked tongue isn’t it?)


So that last line wasn’t sung by the background singers, but rather it was spoken by someone who was supposedly speaking like an Indian—and all i can really say is “Wow”. I mean, dude, i’m not an American Indian, but even i feel insulted by that line.

Or not

No, no, after you’ve portrayed them that way, i’d argue that they have every right to head out on the warpath after you.

I wanna be a cowboy
and you can be my cowgirl
I wanna be a cowboy


More desperation from Mr. Richards.

My name is Ted

No, it’s not—we’re already aware that your name is Nick. Also, i don’t care how much of a ditz the woman who sang earlier is, she’s going to figure that out, too. Just give it up.

(Yippee-yippee-yi-yippee-yippee-yi-yo-yo)
(Yippee-yippee-yi-yippee-yi-yo-yo)
(Oh yippee yippee-yo-yo)


If you listen to the track, you can hear that this is the point where the background singing Greek chorus got into the helium.

And one day I’ll be dead yo yo

But sadly, not before producing this song.

But, to its credit, i think we can all agree that the yo yo appended to the end of this line makes it the worst-delivered line in all of 80s music.

Well, okay, so i guess that’s not much of a compliment—but after a song like this we take what we can get, right?

03 September 2010

Blink-182: All the Small Things

This is a momentous episode in the broadcast history of Lyrics, Weakly: This is the first song that’s being covered here by request of one of my children. Yes, I’ve dealt with some songs because my children have drawn my attention to them, but this one was an actual request from a child, since, as she said herself, the words to it make absolutely no sense.

It almost brings a tear of paternal pride to my eye, it does.

Anyway, the song that was requested was a song by Blink-182 (or, according to some sources, Blink 182—i’ve run across some intense arguments on the net about putting in or leaving out the hyphen, and you know, i don’t care enough to even link to them), the 2000 top-ten hit “All the Small Things”.

I’ll happily admit that it’s a fun song to listen to, but it’s not one i ever really got into—and i also never took the time to listen to the lyrics. Now that i have, i can say that this is one of the most non sequitur-laced songs out there. I mean, it certainly wouldn’t displace my nominee for the top spot in that category, but it may well be in the top five.

This is not an honor to covet.

But enough about that—you’re not here to hear me talk about non sequiturs, you’re here to hear me point them out as they come up. So sit back and listen to the words that Blink-182 guitarist Tom DeLonge came up with, presumably while he was so shorted on sleep that he couldn’t think straight.

All the small things

Oh, cool—Mr. DeLonge is apparently writing a song about really small things, like the three-and-a-half-inch long Madame Berthe’s Mouse Lemur, or the 1.3 gram Etruscan Shrew, or the four-inch long Barbados Threadsnake, or maybe even the 139-micrometer long parasitic wasp Dicopomorpha echmepterygis. It’s always good to see a punk-pop artist taking an interest in the life sciences.

According to the always-reliable Wikipedia page for this song, though, Mr. DeLonge wrote this song for Jennifer Jenkins, the woman who later married him. I’m rather surprised she didn’t take being compared to a parasitic wasp rather personally, but then again i’m not a rock star’s girlfriend.

True care truth brings

What does this line even mean? I mean, i haven’t even ripped it out of its syntactic context—it really makes no sense.

Oh well, everybody has a bad line now and again. I’m sure it won’t happen again, right, Mr. DeLonge?

I’ll take one lift
Your ride best trip


I’m trying hard to make sense out of this, i really am.

But the best i can do with this is that Mr. DeLonge is promising Ms Jenkins that he’s going to bum rides off of her. I wouldn’t have thought that such behavior was an auspicious sign for a relationship, but what do i know?

Always I know
You’ll be at my show
Watching, waiting
Commiserating


Commiserating about the fact that she has to listen to songs like this, I’m thinking.

(Sometimes a lyricist just hands you a gift, you know?)

Say it ain’t so

Okay. It ain’t so.

I will not go
Turn the lights off
Carry me home


Okay, we’ve got issues again.

After all, if you get carried home, Mr. DeLonge, you’re presumably being carried from a place that is not home. Therefore, if someone fulfills your request for carrying, you will in fact be going from the not-home place you were at when you first made the claim that you will not be going.

In any event, you end up not telling the truth, and that as a result of your own ordering of others around. Hope that teaches you a lesson.

Na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na

Wow. Now i see why Mr. DeLonge gets all the adoring fans, what with being able to write lyrics that get to the heart of human relationships so concisely as this very line.

Late night come home
Work sucks I know


Dude? You’re a big-name rock star. Even if you hate your job, none of the rest of us want to hear it, okay? (And we wouldn’t believe you anyway.)

She left me roses by the stairs
Surprises let me know she cares


Yes, of course—this is the way i know my wife cares for me, when she leaves roses some place other than, say, in a water-filled vase on the table. It really lets me know that romance has reached its greatest heights when roses are just left any old place to die.

Say it ain’t so
I will not go
Turn the lights off
Carry me home


Wait a minute—this is sounding familiar. In fact, if i recall correctly, it was the lead-in to the line that…Oh, please, not that again—not already!

Na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na

Yes, already.

(And then we get another repeat of the chorus, skipped here, but thankfully without yet anotherna, na, na” drone.)

Keep your head still
I’ll be your thrill


Just for a moment, imagine someone saying this to you in real life: “Keep your head still, [insert your name here], I’ll be your thrill!”

I submit that this can only mean that something dangerous is about to happen, and it’s going to come at your expense. Basically, it’s time to run away.

But somehow, here it’s romantic. Right? Or something.

The night will go on
My little windmill


My little windmill?!?

This has got to be the worst pet name in the entire English language since Percy Bysshe Shelley used to call Mary Wallstonecraft Shelley “Pecksie”.

Na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na

Oh, no—stealth “na, na, na”s!

And after that, we get repeats of previous choruses—but i think we’ve heard quite enough already, yes?

In closing, though, i must say that i’m very happy that Mr. DeLonge and Ms Jenkins ended up getting along so well. After all, judging by the romance level of the images in this song i’m sure i wouldn’t be happy in a relationship like this, but different strokes and all that, right?